Betye Saar: Uneasy Dancer at Fondazione Prada Milan, September 15, 2016 – January 8, 2017

Fondazione Prada presents the exhibition “Uneasy Dancer”, a comprehensive survey of work by Betye Saar (Los Angeles, 1926). This exhibition, hosted at the Nord Gallery, opens to the public from 15 September 2016 through 8 January 2017.  Curated by Elvira Dyangani Ose, “Betye Saar: Uneasy Dancer” is the first exhibition of the American artist in Italy, and brings together over 80 works including installations, assemblages, collages and sculpture produced between 1966 and 2016.  For additional information, please visit the following link.

Betye Saar LA Times Studio Tour

Just three months shy of her 90th birthday, Los Angeles artist Betye Saar gives a tour of her studio and explains what keeps her inspired. To read the complete profile, please visit the following link.

Betye Saar 500 Words in Artforum

An icon of assemblage art whose work has stood proudly at the intersection of the personal and political since the 1960s, Betye Saar draws from such broad references as the work of Joseph Cornell and occult traditions of palmistry and voodoo. In her groundbreaking 1972 sculpture The Liberation of Aunt Jemima, for instance, Saar issues a challenge to stereotypes of race and gender by reclaiming the power of historically charged materials. Here, as Saar approaches what she calls her “ninetieth revolution around the sun,” she discusses her current retrospective, which brings together works from across her six-decade career. The exhibition is on view from January 30 through May 1, 2016, at the Scottsdale Museum of Contemporary Art in Scottsdale, Arizona. More

Betye Saar Still Tickin’ Retrospective

Scottsdale Museum of Contemporary Art
January 30 – May 1, 2016
There is a touch of alchemy to Betye Saar’s artwork: transforming the simple and mundane into powerful art. Since the 1960s, her compelling, astute and expressive works reflect on African- American identity, spirituality and the interconnectedness between different cultures. This timely retrospective brings together recent work as well as historical pieces created over her six decade long career. It is divided into three themes: nostalgia and memory; mysticism and ritual; the political and racial. These multimedia collages, assemblages, sculpture, works on paper, and specifically re-conceived installations demonstrate her commitment to seeing the world change. Curated by Roel Arkesteijn, curator of contemporary art at De Domijnen (formerly Museum Het Domein) in Sittard, the Netherlands in partnership with Scottsdale Museum of Contemporary Art. Read more.